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I did not wish that my book were Eat, Pray, Love. As the only journalist to live undercover in North Korea, I had risked imprisonment to tell a story of international importance by the only means possible. By casting my book as personal rather than professional—by marketing me as a woman on a journey of self-discovery, rather than a reporter on a groundbreaking assignment—I was effectively being stripped of my expertise on the subject I knew best. It was a subtle shift, but one familiar to professional women from all walks of life. I was being moved from a position of authority—What do you know?—to the realm of emotion:How did you feel?

It soon became clear that this was a battle I could not win, and I relented. The content of my work was what really mattered, I told myself.

The Reluctant Memoirist - SUKI KIM

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